The Complete Paintings of Vermeer Classics of the Worlds Great Art by Paolo Lecaldano
If you've ever taken an art history class or spent time in a fine arts museum, chances are yous know a lot about the men who "divers" their mediums. Every bit with other subjects, well-nigh of what we learn about art history today still centers on white men from Europe and, afterward, the United States. In reality, there are so many more artists of all genders to learn from and capeesh.
Here, we're specifically taking a look at only some of the women who have had lasting impacts on their fine art forms. From some of the art globe's nigh iconic pioneers to its virtually unsung heroes, these women artists all had a hand — and, in some cases, however accept a hand — in changing the globe of fine art and how we define it.
Laura Wheeler Waring
Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United states, becoming best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.
Cindy Sherman
Photographer Cindy Sherman was office of the Pictures Generation during the 1980s, and is perhaps about well known for her series of Untitled Film Stills (1977–80) — cocky-portraits in which Sherman "posed in the guises of various generic female film characters, amid them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.
Yoko Ono
Y'all might commencement recollect of Yoko Ono equally a musician and activist, only she's too an accomplished operation and conceptual artist. Ono was considered a pioneer in the operation art movement, earning the nickname the "Loftier Priestess of the Happening".
One of her most revered works, Cut Piece, was a operation she first staged in Japan; Ono sabbatum on stage in a prissy adapt and placed pair of scissors in front of her, and, in an human action of daring vulnerability, invited audience members to come on stage and cut away pieces of her vesture. "Art is similar animate for me," Ono has said. "If I don't do it, I start to choke."
Betye Saar
Before becoming a printmaker and activist, Betye Saar studied blueprint and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in turn, office of the trajectory of art history.
Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you tin can become the viewer to look at a work of art, then y'all might be able to give them some sort of bulletin."
Frida Kahlo
It's rare to notice someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her cocky-portraits. Kahlo ofttimes used assuming, bright colors to create her symbol-rich works, and was regarded every bit one of the most influential artists of the Surrealist movement.
Yayoi Kusama
Yayoi Kusama started painting at a very young age, but she's likewise known for her hyper-real sculptures, polka dots, installations, and then much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which utilize mirrors and lit objects to create a sense of endlessness.
Amy Sherald
Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than mutual in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale skin tones — as she was the showtime Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.
Georgia O'Keeffe
Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'southward landscapes, flowers, skulls, and, just mayhap, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York fine art world, all by painting in her unique style.
Adrian Piper
Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics past demanding the audition to confront truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economical class, and gender — all while dressed as a Black human being with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.
Shirin Neshat
Shirin Neshat left Islamic republic of iran in 1974 to study art in Los Angeles, California — earlier the Islamic republic of iran Islamic Revolution took place. She is best known for her photography, moving picture, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.
Jenny Holzer
As a neo-conceptual artist, Jenny Holzer'southward work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.
These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and hope. Ane of her more notable works, I Smell You lot On My Peel, makes the viewer question what kind of sentiment the sentence conveys.
Rebecca Belmore
Much of Rebecca Belmore's art addresses identity and history — and, in item, houselessness and the voicelessness of the Get-go Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness effectually the prejudice, violence, and attempted erasure of Indigenous North American civilization. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.
Louise Bourgeois
While a prolific printmaker and painter, Louise Bourgeois is amend known for her installation fine art and sculptures — like the spider higher up — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the principal styles shaping the fine art world.
Mickalene Thomas
Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Blackness American women, whom she believes embody power and femininity.
Judy Chicago
Judy Chicago was one of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces oft examine the role of women in history and civilisation — in the 1970s and before. While at California Country University in Fresno, Chicago founded the starting time feminist fine art programme in the United states.
Augusta Savage
Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, frequently of Black folks, Savage founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.
Carolee Schneemann
Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just await up her virtually famous piece of work, Interior Curlicue, and y'all'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal society.
Nan Goldin
Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In improver to documenting New York City'due south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.
Elaine Sturtevant
Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her last proper name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of big-name artists' work.
Some artists and critics encouraged her efforts, while others became quite aroused. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilisation.
Ruth Asawa
During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'south last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth War Two.
Catherine Opie
Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the historic period of nine. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — just in a mode that conveys power and respect past evoking traditional Renaissance portraiture.
micha cárdenas
micha cárdenas is an creative person, author, theorist, and assistant professor who won an Touch on Award at the Indiecade Festival in 2020 and the Creative Honour from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and fine art to address global issues such equally racism, gendered violence, and climate modify.
Lee Krasner
Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).
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